01 / The project index

Studio projects & selected experience

Ideas,
made real.

Work by Proof Creative, alongside Carl's selected experience at Stranger & Stranger.

Different briefs. The same care.
Individual roles credited throughout.

The archive / 11 studies

Showing all 11 projects.

Proof Gin, complete front view01 / 11
Proof CreativeBrand identity & packaging

Proof Gin

The studio identity, expressed through packaging. The angular Proof mark, red accents and fine construction lines carry through the bottle and label. An exploration of how a visual identity becomes a physical object.

Featured work by Proof Creative.

Brick Architects BA monogram in white on pure black02 / 11
Proof CreativeBrand identity / Architecture

Brick Architects

A refined BA monogram, a customised wordmark and a considered identity system for an architectural practice.

Brand identity by Proof Creative.

DMS brand mark and surveying imagery03 / 11
Proof CreativeBrand Identity

DMS Surveying & Spatial Services

A complete brand identity for a Brisbane surveying practice – precise, confident and built to work everywhere from site signage to spatial reports.

Isle of Harris Gin label and rippled-glass detail04 / 11
At Stranger & StrangerProduction Design

Isle of Harris Gin

Isle of Harris Gin is infused with hand-harvested sugar kelp from the Outer Hebrides. The brief called for a label that told the sourcing story before a word was read – a paper as authentic and native to the island as the botanical inside the bottle.

My role: production design, completed whilst at Stranger & Stranger.

Compass Box anniversary packaging, embossed and gold-foiled detail05 / 11
At Stranger & StrangerProduction Design

Compass Box

Celebrating Stranger & Stranger’s 10th anniversary of collaboration with Compass Box Whisky Company – a visually arresting pack built around a previously untested label stock.

My role: production design, completed whilst at Stranger & Stranger.

Don Papa MassKara label illustration and finishing detail06 / 11
At Stranger & StrangerProduction Design

Don Papa Rum - MassKara

Don Papa MassKara is steeped in the riot of colour and detail of the Philippines’ iconic MassKara Festival. The brief: carry that intricacy through to print without losing a line of it.

My role: production design, completed whilst at Stranger & Stranger.

42 Below label and embossed glass detail07 / 11
At Stranger & StrangerProduction Manager

42 Below Vodka

A Kiwi icon reimagined. For 42 Below’s redesign, the creative concept lived or died in the glass itself – a new bottle structure with an embossed kiwi, carried from CAD through to production alongside a full print and finishing spec.

My role: production management, completed whilst at Stranger & Stranger.

Bertolli Extra Virgin Olive Oil, complete bottle08 / 11
At Stranger & StrangerProduction Design

Bertolli Olive Oil

Deoleo's largest-ever rebrand: one global design across every market, still locally relevant in each – with 160 years of heritage intact.

My role: production design, completed whilst at Stranger & Stranger.

Firehook cracker range, composed product view09 / 11
At Stranger & StrangerProduction Design

Firehook

A full-range rebrand rolled out across every SKU at once – consistent on shelf, right-first-time in production.

My role: production design, completed whilst at Stranger & Stranger.

The Kraken core range, complete bottle view10 / 11
At Stranger & StrangerProduction Design & Brand Asset Management

The Kraken / Core range

The Kraken’s core range is the brand’s most recognisable pack – the embossed apothecary bottle with its twin handles. The work was carrying that single design across every bottle size, its primary and secondary packaging, and a widening set of touchpoints that all had to match.

My role: production design & brand asset management, completed whilst at Stranger & Stranger.

The Kraken ceramic edition, sculpted bottle detail11 / 11
At Stranger & StrangerProduction Design

The Kraken / Ceramic Edition

A limited edition of The Kraken’s spiced rum in a Wade ceramic decanter. The bottle was already well known – apothecary shape, twin handles – but moving its artwork onto fired ceramic meant rebuilding the decoration around a firing schedule instead of a print run.

My role: production design, completed whilst at Stranger & Stranger.

A note on attribution

Projects listed as selected experience were completed by Carl Curcuruto whilst at Stranger & Stranger. Creative direction and brand design are credited to the S&S studio team. Each case study sets out Carl's specific role.

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